bվ��Ƶ of Rome

Manuela Pacella

Harry — Tue, 07 Apr 2026 11:34:06 +0000

Education

MPhil – Postgraduate School in Contemporary Art History, School of Specialization in Art History, University of Siena (IT).BA and MA Literature and Philosophy Faculty, Department of Art History, “La Sapienza” University of Rome, Rome (IT).

Biography

Manuela Pacella (Rome, 1977) is an art historian and critic. As a freelance curator, she focuses on cultural exchange between Italy and several countries in Central and Northern Europe. She is particularly knowledgeable about the art scene in Northern Ireland, where she has worked since 2011 and participated in the ICI Curatorial Intensive at the CCA in Derry and the International Residency at Flax Art Studios in Belfast (both in 2013). As guest curator, she organized the 2017 exhibition “Lost in Narration. Riccardo Giacconi, Invernomuto e Luca Trevisani” at the MAC in Belfast and led the second Curatorial Directions, which explored the importance of text, narrative, and storytelling in exhibition making through workshops and lectures in Belfast and Milan.

In 2015 and 2016, she was Editorial Researcher and Coordinator at NERO (Rome). She regularly writes for exhibition catalogues and books, as well as for art magazines and newspapers such as “Flash Art” (Italian and international editions), “Il Foglio Arte” (Milan), “NERO Editions” (Rome), and “The Visual Artists’ News Sheet” (Dublin). Her publications include Inner Homeland (NERO, 2012), Bertille Bak. La fiaba del reale (Postmedia Books, 2018), and Tell me stories! (Politi Seganfreddo edizioni, 2024), a book based on the column of the same name published in “Flash Art Italia” from 2020 to 2024. She recently started a new column, Cicala (Cigada), for the relaunched print edition of “Flash Art Italia,” presented at Artissima in Turin in 2025. Every two months, she portrays Rome and contemporary art in the city with a personal, derivative, and fragmented perspective and style.

She currently focuses on writing and publishing, working on online and print projects through her platform RUTH (ruth.onl), and teaches in Rome at the American University of Rome (BA in Art History), IED Design (BA in Interior and Product Design), and NABA (MA in Visual Arts and Curatorial Studies).

External Links
Website: https://manuelapacella.info/
LinkedIn profile: https://www.linkedin.com/in/manuela-pacella-460900127/

Photograph by Antonio Cama.

Role

Adjunct Faculty

Program

Bachelor Degree in Art History

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Luciana d’Arcangeli

Harry — Tue, 17 Mar 2026 03:44:56 +0000

Education

PHD Italian Studies (Theatre), University of Strathclyde, Glasgow, UKPostgraduate Diploma in Advanced Academic Studies, University of Strathclyde, Glasgow, UKCertificate of Professional Development in Adult Teaching and LearningPostgraduate Certificate in Advanced Academic StudiesCertificate in Counselling Skills, COSCA (Counselling and Psychotherapy in Scotland) and University of Strathclyde, Glasgow, UKMHRM, HKE, Lazio, ItalyBA Italian, University of London, London, UK

Biography

Dr d’Arcangeli is originally from Rome, where she worked in industry for a few years before leaving her last position (in the Cecchi Gori Group) to start her academic career at Strathclyde University and at the University of Glasgow, in Scotland. In 2008 Luciana moved to Australia, to work at Flinders University, in Adelaide, where she was Cassamarca Senior Lecturer, Director of Studies and finally Head of Italian, and now holds full academic status. Via the Flinders University Languages Outreach Program Dr d’Arcangeli was also Adjunct at the University of Adelaide, effectively teaching and managing a dual-university programme.

Luciana is a HE Academy Fellow (2001), and her teaching experience spans from Italian theatre, cinema, and culture to Italian language, interpreting and translation at all levels. Today Dr d’Arcangeli teaches at AUR and, being a Fellow of the Chartered Institute of Linguists and a Member of the Institute of Translation and Interpreting (UK), she continues to work as language consultant, and translator.

Dr d'Arcangeli is the author of I personaggi femminili nel teatro di Dario Fo e Franca Rame (Firenze: Franco Cesati Editore, Strumenti di letteratura italiana, n.32, 2009, 336). Luciana has also published widely in journals, and edited several books and special journal issues on Italian cinema and theatre – many stemming from the international conferences she convened in the UK and in Australia. In 2023 Luciana published, with Claire Kennedy and Daniela Cavallaro,Staging Violence Against Women and Girls (Bloomsbury Methuen, London). This is the last outcome of the research project titled "Indelible (Eng)/Indelibile (It): The Representation of (In)visible Violence Against Women and their Resistance", funded by the Australasian Center for Italian Studies whose Inaugural Visual and Performance Studies Research Group was created by d’Arcangeli in 2018, and coordinated by her until the end of the project in 2021.

Currently d'Arcangeli is working on the translation into English of Franca Rame’s plays.

Among Dr d’Arcangeli’s awards are the Italia nel Mondo prize (2016) and the Gold Medal and Merit Award from the Dante Alighieri Society (2017), both in recognition of professional excellence in disseminating Italian culture as President of the Dante Alighieri Society of South Australia, and the Prize for Italian Literary Translation (2018) from the Melbourne Italian Institute of Culture.

Professional Media Links

ResearchGate: www.researchgate.net/profile/Luciana_DArcangeli

Academia.edu: https://independent.academia.edu/LucianadArcangeli

LinkedIn profile: https://www.linkedin.com/in/lucianadarcangeli/

Chartered Institute of Linguists: https://www.ciol.org.uk/language-specialist/profile/27708/37/6183

PUBLICATIONS

Forthcoming
Dr d’Arcangeli is working on her book The Theatre of Franca Rame: plays and monologues (Aracne, Rome, TBA).

Books

I personaggi femminili nel teatro di Dario Fo e Franca Rame (Firenze: Franco Cesati Editore, Strumenti di letteratura italiana, n.32, 2009, 336)

Co-edited Books

Co-editor with Daniela Cavallaro (Auckland) and Claire Kennedy (Griffith) of Staging Violence Against Women and Girls, (Bloomsbury Methuen, London, 2023)
Co-editor with Daniela Cavallaro (Auckland) and Claire Kennedy (Griffith) of Atti di accusa. Testi teatrali e interviste sulla rappresentazione della violenza contro le donne, (Aracne, Donne dietro le quinte, Rome, 2021, 368)
Co-editor with William Hope and Silvana Serra of Un nuovo cinema politico italiano? Volume II: stato e società, passato e presente (Leicester: Troubador Publishing, 2013, 247)
Co-editor with Graham Tulloch and Karen Agutter for Sicily and Scotland: Where Extremes Meet (Leicester: Troubador Publishing, 2014, 160)
Co-editor with William Hope and Silvana Serra for Un nuovo cinema politico italiano? Volume I: genere, lavoro, immigrazione (Leicester: Troubador Publishing, 2013, 224)

Edited Special Issues of Refereed Journals

Guest editor with Sally Hill (Victoria, Wellington) of the special issue Indelible: Violence Against Women and Their Resistance to It in the Visual and Performing Arts in Italy and Beyond of the e-journal Violence Against Women, Volume 29, Issue 8, 2023
Guest editor with Claire Kennedy (Griffith) of the special issue Indelible/Indelebile: Representation of in the Arts of (In)Visible Violence Against Women and their Resistance of the e-journal Flinders University Languages Group Online Review (FULGOR), Volume 6, Issue 3, 2021
Guest editor with Laura Lori (Melbourne) of the special issue Postcolonial Italy of the e-journal Flinders University Languages Group Online Review (FULGOR), Volume 6, Issue 2, 2020 Guest editor with Tets Kimura (Flinders) of the special issue Intercultural aspects of interpreting, translation and communication of the e-journal Flinders University Languages Group Online Review (FULGOR), Volume 6, Issue 1, 2019
Guest editor with Sally Hill (Victoria, Wellington) and Claire Kennedy (Griffith) of the special issue An Eye on Italy on Italian Cinema of the e-journal Flinders University Languages Group Online Review (FULGOR), Volume 5, Issue 3, 2018
Guest editor with Annamaria Pagliaro (Monash) of the special issue Dario Fo & Franca Rame. Beyond the Rules of the journal Spunti e Ricerche, Volume 31, 2016, published in 2017
Guest editor of the special issue Italian Cinema of the e-journal Flinders University Languages Group Online Review (FULGOR), Volume 5, Issue 1, 2016

All past publications (including articles, chapters, interviews, etc.) are listed on Orcid -https://orcid.org/0000-0003-2080-1430

Role

Adjunct Professor, Italian Studies Program

Main Education Qualification:

PHD Italian Studies (Theatre), University of Strathclyde, Glasgow, UK

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Soulé Déesse

Harry — Thu, 26 Feb 2026 11:16:16 +0000

Biography

Déesse is an artist and educator whose work has been supported by national and international residencies, including the Bogliasco Foundation (Italy), Yaddo (NY), c.r.e.t.a. rome (Italy), the Hungarian Multicultural Center (Hungary), Cholamandal Artists Village (India), Can Serrat (Spain), and Baldwin for the Arts (NY). She has received several awards, such as Best of Show at the Migrations Film Festival (The Front, New Orleans) and the Yaddo Donald and Genie Rice Filmmaker Residency Grant. In 2025, she was nominated for the Anonymous Was A Woman award (pending). Her work has been featured in Art in America, the Oprah Winfrey Network (OWN), and Boston Art Review.

She has exhibited her work—both solo and collaboratively—across the Middle East, Asia, Europe, Africa, and the Americas. Recent exhibitions include the Indianapolis Museum of Contemporary Art (IN), Black Mountain College Museum & Art Center (NC), Printed Matter, Inc. (NY), Mahmoud Darwish Museum (Palestine), Bogotá Arte Contemporaneo Gallery (Colombia), Galerie Nord (Germany), Greatmore Studios (South Africa), Total Arts Gallery and the Cultural Foundation (UAE), the Katonah Museum of Art (NY), Gallery 263 (MA), and the B2 Center for Media, Arts & Performance at the Atlas Institute (CO).

Déesse comes to AUR from Tufts University’s School of the Museum of Fine Arts (SMFA), where she serves as Professor of the Practice (Drawing & Painting) and Chair of Drawing and Painting. Her teaching and leadership experience, coupled with a globally recognized interdisciplinary approach, will advance AUR’s studio curriculum and the program’s Rome-based experiential model.

Déesse’s work - rooted in what she terms Afrobaroque and digital Vodunism (merging traditional and digital media, while drawing on Afrofuturism and the global Baroque) - moves across painting, drawing, site-specific installation, performance, experimental sound, digital printmaking, and film. Her practice examines human and post-human identities, the future of race and sexuality, and the affective power of images and objects.

At AUR, Déesse leads program development across drawing, painting, printmaking, sculpture, and expanded media, strengthening pathways that connect studio coursework with Rome’s museums, contemporary art spaces, and artisan networks.

Role

Professor / Director of Fine Arts

Program

Bachelor Degree in Fine Arts

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Angela Wheeler

Harry — Tue, 03 Jun 2025 15:46:54 +0000

Education

PhD, History and Theory of Architecture and Urbanism, Harvard University; Cambridge MA, USAMSc, Historic Preservation, Columbia University; New York NY, USABS, Cultural and Historic Preservation, Salve Regina University; Newport RI, USA

Biography

Dr. Angela Wheeler joined AUR in 2025 as a lecturer in the Cultural Heritage graduate program. She has worked in and researched the cultural heritage sector since 2010, both in the United States and internationally, with a particular focus on (post-)socialist Eurasia. Professor Wheeler has surveyed mid-century public housing in Hawaii, documented Ottoman mosques in the Republic of Georgia, conserved archaeological artifacts at the Hermitage Museum in St. Petersburg, and consulted with indigenous communities about the impact of fracking on Siberian landscapes - experiences she enjoys introducing to students to show them the breadth of professions within cultural heritage. Her research and teaching have focused on the cultural heritage of marginalized communities, preservation approaches to historic neighborhoods, and the role of states and international organizations in shaping heritage priorities.

Professor Wheeler has previously lectured at Johns Hopkins University, Amherst College, and the University of Massachusetts Amherst, where she developed and taught courses on historic preservation, urban studies, and architectural history. Her goal as an educator is to provide students with not only technical skills but the theoretical, historical, and ethical contexts they need to interrogate the value systems underlying cultural heritage practice. As a researcher, Dr. Wheeler’s work explores how diﬀerent regimes did (or did not) incorporate historic neighborhoods into urban plans, a process that often reﬂected whose homes, communities, and cultures were considered deserving of value.

Featured Works

“Colonial Orientalism and National Vernacularism in Imperial Tiﬂis,” (Built Heritage, forthcoming 2026).
<https://built-heritage.springeropen.com/vernacularism-or-orientalism>
“Reconstructing Rustaveli: the Postsocialist State of Emergency and the Last Soviet Plan for Historic Tbilisi,” (Built Heritage special issue Heritage Transitions in Eastern Europe: Actors, Institutions, and Potentials for Urban Conservation in the 1980s-1990s, forthcoming 2025)
<https://built-heritage.springeropen.com/heritage-transitions-in-eastern-europe>
Architectural Guide: Tbilisi (DOM Publishers, 2023)
<https://dom-publishers.com/products/tbilisi>

Wooden Mosques of Adjara: Islamic Architectural Heritage in the Republic of Georgia (2018)
<https://www.indigenousoutsiders.com/exhibition>
“Birth and Rebirth: Mosques of Russia and the Caucasus” in Mosques: Splendors of Islam (Rizzoli, 2017)
<https://www.rizzoliusa.com/book/9780847860357/>
“Mitigating the Risks of Fracking for Industrial Actors on Northern Indigenous Peoples” (ArcticReview on Law & Politics, 2017) Alexis Lerner, Olga Chistanova, Victoria Koshurina, Angela Wheeler
<https://arcticreview.no/index.php/arctic/article/view/659/1861>

Courses

CH 505 Sustainable Conservation (Spring 2025)
CH 508 / TTM 408 Cultural Heritage Tourism: Intercultural Interactions (Spring 2026)

Role

Adjunct Professor

Program

M.A. Cultural Heritage: Sustainability & Community

Main Education Qualification:

PhD, History and Theory of Architecture and Urbanism, Harvard University; Cambridge MA, USA

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Francesco Buscemi

Harry — Mon, 13 Jan 2025 09:12:20 +0000

Education

Ph.D. in food, culture and media, Queen Margaret University, Edinburgh.

Biography

Francesco Buscemi is an Adjunct Professor for the MA in Food Studies at bվ��Ƶ of Rome (AUR). He has two national academic qualifications, the first in sociology of culture, and the second on media studies. He currently teaches media studies, media writing and scriptwriting at the Catholic University of Milan; Francesco also writes about food culture and the food system in the Italian newspaper Domani.

Francesco Buscemi from 2023 to 2024 he was a member of the research group Future Eating at the University of Turin, where he focused on the cultural impact of food technologies, specifically cultivated meat. His research is based on a constructivist framework, an inductive approach and analytical tools such as semiotic analysis, cultural history, storytelling and political economy. His teaching draws on learning by doing and game-based learning. His experience includes teaching at the University of Stirling, Bournemouth University and Insubria University, Como. He was a member of the Semiotic Society of America, where he also chaired various debates. Francesco has also been a script, comics and TV writer for about twenty years and has recently published a novel.

From 2015 to 2018, he co-founded and was a member of the research group Foodkom, at the University of Orebro, focusing on the mediatization of food and the meal. From 2016 to 2017, Francesco was also a postdoc researcher on food and the territory at IUAV University of Venice, where he interviewed and applied storytelling analysis to people working at different stages of the food system, to understand how food culture and food businesses can support new forms of sustainable tourism. In 2013 he was the recipient of the Santander Research Grant Fund for a study on how the Nazi propaganda represented meat and food in general to demonize its enemies, which he carried out at the Goethe University in Frankfurt.

Selected Publications

Buscemi, F. (2024). For a Biosemiotic of Cultivated Meat: Cell-based Food and its Positioning between Nature and Culture. Scienza e Filosofia, 31: 39-52.

Buscemi, F. (2023). Chicken without Chicken, Sausage without Sausage: Rhetorical Remediations of Vegetarian and Vegan Foods Recalling Meat. In Cristina Hanganu-Bresch (ed.), The Rhetorical Construction of Veganism and Vegetarianism. London: Routledge.

Buscemi, F. (2023). A War of Colors: Cold War Food Advertising in US Newspapers and Magazines, 1946-1960. In Mark Boulton e Tobias Gibson (ed.) Red Reckoning: The Cold War and the Transformation of American Life. Baton Rouge: Louisiana State University Press

Buscemi, F. (2022). Pasta, Pizza and Propaganda: Political History of Italian Food TV. Bristol: Intellect.

Buscemi, F. (2021). The Aryan race of animals: The role played by color in the visual semiotics of Nazi propaganda. The American Journal of Semiotics, 37, 3–4, pp. 329–350.

Buscemi, F. (2021). No Country for Old Food? Food Network and the Making of Italian Food Culture. In Emily Newman and Emily Witsel (eds), The Food Network Recipe: Essays on Cooking, Celebrity and Competition. Jefferson (NC): McFarland, pp. 224-239.

Buscemi, F. (2018). From Body Fuel to Universal Poison: Cultural History of Meat 1900-The Present. Dordrecht: Springer.

Buscemi, F. (2018). The sin of eating meat: Fascism, Nazism and the Construction of Sacred Vegetarianism. In Proteins, Pathologies and Politics: Dietary Innovation and Disease from the Nineteenth Century, ed. David Gentilcore and Matthew Smith. London: Bloomsbury, pp. 137-147.

Buscemi, F. (2018). The Ancestral Room of the State? Scotland and the UK on Jamie's Great Britain. Journal of Communication Inquiry, vol. 42(3) 258–274.

Buscemi, F. (2016). Passing on Recipes or Passing an Examination? Food and Foucault in two Web Forums in Italy and Britain. Comunicazioni Sociali. n. 3, pp. 491-502

Buscemi, F. (2016). The Writer who Foresaw Slow Food: Joseph Conrad and the Morality of Eating. In J. Garsha (ed) Critical Insights: Joseph Conrad. New York: Grey House Publishing, pp. 162-179.

Buscemi, F. (2016). Edible Lies: How Nazi Propaganda Represented Meat to Demonise the Jews. Media, War and Conflict, 9(2): 180-197.

Buscemi, F. (2016). The Carnivorous Mission of the Celebrity Chef. In Food for Thought: New Critical Perspectives on Veganism and Meat Consumption, Jodey Castricano and Rasmus R. Simonsen eds. Basingstoke: Palgrave Macmillan, pp. 331-348.

Buscemi, F. (2015). How 'Il Caffè' Sospeso' Became 'Suspended Coffee'. European Journal of American Culture, vol. 34-2, pp.123-136.

Buscemi, F. (2015). New Meat and the Media Conundrum with Nature and Culture. Lexia: Journal of Semiotics, vol. 19-20, pp. 419-434.

Buscemi, F. (2014). Television As a Trattoria: Constructing the Woman in the Kitchen on Italian Food Shows. European Journal of Communication, 29-3: 304-318.

Buscemi, F. (2014). From Killing Cows to Culturing Meat. The British Food Journal, vol. 116, no. 6, pp. 952 – 964.

Role

Adjunct Professor

Program

M.A. Food Studies: Policies for sustainable production and consumption

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Vassilissa Carangio

Harry — Sun, 22 Dec 2024 17:48:58 +0000

Education

Ph.D. in Business - Swinburne University of Technology, Melbourne, AustraliaMA in Communications - Sapienza University of Rome, Italy

Biography

Dr. Vassilissa Carangio holds a Ph.D. in Business, with a focus on Management and Organization Studies, from Swinburne University of Technology, Melbourne, Australia. She has taught a broad range of business and liberal arts subjects at various institutions in Australia. She was a visiting research fellow at the University of Warwick in the UK and a Black Europe Summer School (BESS) alumna at the International Institute for Research and Education in Amsterdam, the Netherlands. Her doctoral research on the Australian job market was funded by the Swinburne Premier Research Award (Chancellor's Research Scholarship, CRS).

Dr. Carangio also holds an MA in Communications (combined BA/MA) from Sapienza University of Rome, Italy, where she graduated summa cum laude and completed a Master’s thesis in political economy. As a strong advocate of lifelong learning, she is currently enrolled in the MITx MicroMasters program in Supply Chain Management, developed and delivered by the Massachusetts Institute of Technology (MIT).

Her research on race and gender inequalities in business and organizational settings has been cited in a UN Women policy brief and in the largest strategic study to date on women’s representation and gender equality policies across managerial space organizations, launched and published by the United Nations Office for Outer Space Affairs (UNOOSA) as part of its Space4Women programme. Beyond academia, she has extensive experience working in multicultural and multinational environments internationally.

Her teaching philosophy is informed by a Gramscian perspective, emphasizing a reciprocal relationship between teacher and student, fostering mutual acceptance and respect to create a humanized learning atmosphere. Dr. Carangio teaches Management courses at AUR.

Role

Adjunct Faculty

Program

Bachelor Degree in Business Administration

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Claudia Del Papa

Harry — Thu, 12 Dec 2024 11:48:57 +0000

Education

Bachelor of Arts, Bard College, New YorkMSM Boston University, Boston, MassachusettsLaw Degree Università di Camerino, Italy

Biography

Professor del Papa has extensive experience in the corporate world working in the Business Development Department at the Pharmaceutical Multinational company Merck Sharp and Dohme and as Director of External Relations & Marketing at American West. Since 2002, she has served as a Senior Attorney at a prestigious law firm in Rome, and has also been legal advisor to Italian congressmen - principally drafting laws in the entertainment sector.

Del Papa has been an Adjunct Professor at AUR since 2016. She teaches International Business Law (BUS 302), Business Law (BUS 200), Negotiating Globally (MGT304), introduction to International Business (BUS 300), and Principles of Marketing (MKT 200).

Role

Adjunct Professor

Program

Bachelor Degree in Business Administration

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Andrea Dessì

Harry — Wed, 22 Nov 2023 08:51:12 +0000

Education

PhD., Department of International Relations, London School of Economics and Political Science (LSE) – London, UKM.A., Department of War Studies, King’s College London – London, UKB.A., Middle East History, School of Oriental and African Studies (SOAS) – London, UK

Biography

Professor Andrea Dessì joined AUR’s International Relations and Global Politics program as an Assistant Professor in 2023. His areas of expertise span International Relations, Great Power Competition, Middle East history and politics, EU and US foreign policy, Historical Sociology, and Foreign Policy Analysis.

At AUR, Professor Dessì teaches courses such as International Organizations (IOs), Terrorism and Political Violence, Democracy, Populism and Authoritarianism, and the Model UN Special Course, amongst others.

Before joining AUR, Professor Dessì worked for over a decade in the policy research world at Italy’s leading think tank, the Istituto Affari Internazionali (IAI), where he remains an Associated Fellow. Based in Rome, Professor Dessì directed the Institute’s Italian Foreign Policy program and the Mediterranean, Middle East, and Africa research program, overseeing research projects, consultancy tasks, and media outreach on behalf of the Institute. During this time, Professor Dessì founded IAI’s English-language op-ed series, the IAI Commentaries, which he oversaw as Scientific Director (2017-2022) and has contributed to several EU-funded projects and research tasks (FP7 & H2020), cooperating with the Italian Foreign Ministry, EU institutions, and the private sector in Italy and abroad.

Since joining IAI in 2011, Professor Dessì has worked extensively on US and EU foreign policy towards the Middle East, focusing on the diplomatic and military history of the Arab-Israeli conflict, US policy towards Israel, and Washington’s alliance frameworks in the Middle East. His research interests include global politics and security studies, the geopolitics of the Middle East, and the intersection between global and regional trends and developments, including in the energy sector and the impact of climate change. Andrea holds a PhD in International Relations from the London School of Economics and Political Science (LSE) with a thesis on the US-Israel relationship during the 1980s and has published in a variety of academic and policy journals and media outlets as well as participating in innumerable international conferences and gatherings in Europe, the Middle East, North Africa, and the United States.

Teaching Courses

International Organizations
Terrorism and Political Violence
Special Topic Course: Model UN
Democracy, Populism and Authoritarianism
Economic Development and Institutional Change
The US, the EU, and China: Who is Going to Lead

Publications and Works

Climate Change and Security in the Mediterranean: Exploring the Nexus, Unpacking International Policy Responses. Andrea Dessì and Flavia Fusco (eds.), Rome, Nuova Cultura, May 2022, 146 p.
The Middle East and North Africa in 2021: brewing crises and geopolitical re-alignments, in Salvatore Capasso e Giovanni Canitano (eds.), Mediterranean Economies 2021-2022, Bologna, Il Mulino, 2022, p. 27-69.
Popular Mobilisation and Authoritarian Reconstitution in the Middle East and North Africa: Ten Years of Arab Uprisings, in Silvia Colombo and Daniela Huber (eds.), Ten Years of Protests in the Middle East and North Africa. Dynamics of Mobilisation in a Complex (Geo)Political Environment, Bern [etc.], Peter Lang, 2022, 213 p.
With Vassilis Ntousas, “The Transatlantic Relationship and the Middle East: Converging Interests, Diverging Praxis,” in Dimitris Bouris, Daniela Huber and Michelle Pace (eds.), Routledge Handbook on EU-Middle East Relations, Routledge, December 2021.
Climate Change and Sustainability: Mediterranean Perspectives, Andrea Dessì, Daniele Fattibene and Flavia Fusco (eds.), IAI Research Studies 6, Rome, Nuova Cultura, July 2021, 135 p.
With Roberto Aliboni and Francesca Caruso, “The Middle East and North Africa: Ten Years of Turmoil,” in S. Capasso and G. Canitano (eds.), Mediterranean Economies 2020, Bologna, Il Mulino, January 2021, p. 25-78.
“Europe and the Eastern Mediterranean: Navigating Complexity, Mitigating Conflict(s) and Fishing for Compromise,” in Michael Tanchum (ed.), Eastern Mediterranean in Uncharted Waters: Perspectives on Emerging Geo-Political Realities, (December 2020).
With Silvia Colombo, “Collective Security and Multilateral Engagement in the Middle East: What Role for the EU?”, in Silvia Colombo and Andrea Dessì (eds.), Fostering a New Security Architecture in the Middle East, (December 2020).
With Riccardo Alcaro, “A Last Line of Defence: A Strategy for Europe to Preserve the Iran Nuclear Deal,” in Andrea Dessì and Vassilis Ntousas (eds.), “Europe and Iran in a Fast Changing Middle East,” Brussels & Rome, June 2019, 145 p.
With Jordi Quero, “Unpredictability in US Foreign Policy and the Regional Order in the Middle East: Reacting vis-à-vis a Volatile Security-Provider,” British Journal of Middle Eastern Studies, Published online on 17 February 2019.
With Lorenzo Kamel, “The Gaza Equation: The Regional Dimension of a Local Conflict,” MENARA Papers No.10, September 2018.
“The OSCE Mediterranean Partnership, Libya and the MENA Crisis: Potentials, Limits and Prospects,” in Andrea Dessì and Ettore Greco (eds.), The Search for Stability in Libya. OSCE’s Role between Internal Obstacles and External Challenges, Rome, Nuova Cultura, May 2018, pp.15-45.
“Fostering State and Societal Resilience in the MENA: Recommendations for the EU,” in Andrea Dessì, Silvia Colombo and Vassilis Ntousas (eds.), The EU, Resilience and the MENA Region, Brussels, FEPS-IAI, December 2017, pp.157-94.
With Francesco Olmastroni, “Foreign Posture in a Comparative Perspective: A Qualitative and Quantitative Appraisal of Italian Foreign and Defence Policy during the Renzi Government,” Journal of Contemporary Italian Politics, Vol.9, No.2 (2017), pp.201-218.
Editor with Riccardo Alcaro, The Uneasy Balance. Potentials and Challenges of the West’s Relations with the Gulf States, Rome, Nuova Cultura, April 2013.
“Israel and the Palestinians in a Changing Neighbourhood,” The International Spectator, Issue 48(2), June 2013.

Professor Dessì offers expert consultation on

US & EU foreign policy
Middle East and North Africa geopolitics and Mediterranean relations
Great Power Competition and International Relations (US, China, Russia)
Italian Foreign Policy
Peace & Conflict Studies (MENA focus)
Middle East political economy and security

Role

Assistant Professor

Program

Bachelor Degree in International Relations and Global Politics

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Stefano Presutti

Harry — Tue, 10 Oct 2023 07:19:14 +0000

Education

Ph.D. in Linguistics, Aix Marseille Université - Aix-en-Provence and Marseille, FranceM.A. in Italian Linguistics, Università Tor Vergata - Rome, ItalyB.A. in Cultural Anthropology, Università La Sapienza - Rome, Italy

Biography

Stefano Presutti is PhD in linguistics and adjunct professor of Italian studies. Since 2015, he has been teaching Italian L2 at American universities and study programs in Rome, such as University of California (UCEAP), the Catholic University of America (CUA), bվ��Ƶ of Rome (AUR), and many others.

In his doctoral research, he investigated the Italian L2 acquisition development and the relationship between oral and written language in Western societies, especially at the grapho-phonological level. Currently working on commodified identity and authenticity iconized by graphic signs in urban landscapes and brand logos. His research interests include grapholinguistics, linguistic anthropology, social semiotics, and visual communication. His work has been recently published in academic journals such as Lingua, Social Semiotics, Visual Communication , and International Journal of Multilingualism.

Selected Publications

Authentic Roman type: historical legacies in contemporary Rome's city brand. Visual Communication, 2024. DOI: 10.1177/14703572231199973
https://journals.sagepub.com/doi/10.1177/14703572231199973
Romanisation process in commercial signs of a Greek market: Ideological varietythrough the script choice. International Journal of Multilingualism, Forthcoming, 2023.
Multiscriptality within the European Union: the case of a Greek and a Bulgarian urban landscape. International Journal of Multilingualism, 2022, pp. 1-19. DOI: 10.1080/14790718.2022.2133126.
https://www.tandfonline.com/doi/full/10.1080/14790718.2022.2133126
Spanish tilde as a visual semiotic marker of Pan-Hispanism. Social Semiotics, 2022, pp. 1–18. DOI: 10.1080/10350330.2022.2035653.
https://www.tandfonline.com/doi/full/10.1080/10350330.2022.2035653
The development of Latin alphabet identity markers: A comparison among three Romance graphemes. Lingua 259 (103118), 2021, pp. 1–17. DOI: 10.1016/j.lingua.2021.103118.
https://www.sciencedirect.com/science/article/abs/pii/S0024384121000905

Conference Paper

“Biscriptal interactions between Greek and Roman letters in commercial signs of Greek cityscapes.” 16th International Conference of Greek Linguistics. Thessaloniki (Greece), Forthcoming, December 14-17 2023.
“Indexicality of letter V for national identity power in the Italian capital's semiotic landscape.” Language and Power. Münster (Germany), March 22-24 2023.
“Presupposing authenticity through typographic traits in commercial signs.” What words don’t say: Intercultural, cross-cultural, and societal aspects of (in)direct communication. Cosenza (Italy), February 2-4 2023.
“Semantic indexicality of Italian language in linguistic landscapes outside Italy.” Italian language, global language market, Italian companies in the world. Florence (Italy), October 7-8 2022.
“Pride and profit in sublexical features of an Italian brand logo.” Italian language, global language market, Italian companies in the world. Florence (Italy), October 7-8 2022.
“The power of national identity at the grapho-phonological level: A case in Italian.” COMELA 2022. Bounded Languages... Unbounded. Athens (Greece), July 19-23 2022.
“The interdependence between speech and writing. Towards a greater awareness”.Grapholinguistics in the 21st Century. Paris/online (France), June 17-19 2020.
“Graphemic complexity for the new Romance phonemes in Italian. Some reflections”. Grapholinguistics in the 21st Century. Paris/online (France), June 17-19 2020.

Role

Adjunct Professor of Italian language and Culture

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Ambra Spinelli

Harry — Mon, 28 Aug 2023 13:24:39 +0000

Education

Laurea Triennale in Lettere Classiche, Università di BolognaLaurea Specialistica in Archeologia e Culture del Mondo Antico, Università di BolognaPh.D. in Art History, University of Southern California

Biography

Dr. Ambra Spinelli is a classical archaeologist and art historian who received a B.A. in Classics and a M.A. in Archaeology from the Università di Bologna, and a Ph.D. in Art History (with a specialization in Classical Art & Archaeology) from the University of Southern California. Her scholarship integrates the analysis of artifacts, architecture, decorative and textual evidence to explore ancient Roman domestic and everyday life. Her interests also encompass the influence of Eastern and Italic rituals on Roman soil, and Roman perceptions and adaptations of earlier traditions. At AUR, she teaches courses in Roman art and archaeology as well as Greek and Roman history and religion.

Professor Spinelli participated in various archaeological excavation projects in Italy and, from 2011 to 2020, she served as Head of Archival Research and Assistant to the Director for the University of Cincinnati’s “Pompeii Archaeological Research Project: Porta Stabia.” She also has several years of museum and archaeological research experience in Etruscan, Roman, and medieval sites, including Marzabotto, Bologna, Pompeii, Herculaneum, Naples, Rome, Acquaviva Picena, and Albinia (Grosseto).

Selected Publications (Peer-Reviewed):

Books:

Why Ancient Objects Matter: Greek and Roman Art and Materiality from Antiquity to the Present. Berlin: De Gruyter (2025). Co-author and co-editor.
Artistry in Bronze: The Greeks and Their Legacy. XIXth International Congress on Ancient Bronzes (2017). The J. Paul Getty Museum. Co-author.

Articles and Book Chapters:

"Spectacle and Society: Mythological Wall Paintings in the Tablinum of Houses at Pompeii and Herculaneum" in Why Ancient Objects Matter. De Gruyter, 169-188.
“The History of Excavation and Research Activity in Insulae VIII.7 and I.1,” in The Porta Stabia Neighborhood at Pompeii. Vol. 1: Structure, Stratigraphy, and Space (2023). Oxford University Press, 42-59. Co-author.
“The Ritual Contexts in Insulae VIII.7 and I.1,” in The Porta Stabia Neighborhood at Pompeii. Vol. 1: Structure, Stratigraphy, and Space (2023). Oxford University Press, 429-434. Co-author.
“Beyond Social and Functional Interpretations of Wall Paintings: Mythological Imagery in the Tablinum of Pompeii and Herculaneum.” Journal of Roman Archaeology, Vol. 35.1 (Jul. 2022), 177–193.
“The ‘Getty Cybele’: A Roman Portrait of Feminine Virtues.” American Journal of Archaeology, Vol. 121.3 (Jul. 2017), 369–396.
“Underwater Archaeology in Italy: The Park of Baia (Naples),” in SOMA 2007: Proceedings of the XI Symposium on Mediterranean Archaeology, Istanbul Technical University (2007). Oxford Archaeopress, 358–361.

Book Reviews:

“Excavating the Archives: The Domus M. Lucretii IX 3, 5.24 at Pompeii.” Review of R. Berg and I. Kuivalainen (eds.), Domus Pompeiana M. Lucretii IX 3, 5.24. The Inscriptions, Works of Art and Finds from the Old and New Excavations (2019), in Journal of Roman Archaeology, Vol. 34.2 (Dec. 2021), 883–888.

Catalogue Essays and Entries:

“Spinario Castellani” and “Hermes from Saponara,” in Power and Pathos: Bronze Sculpture of the Hellenistic World (2015). The J. Paul Getty Museum, 216, 306; and in the Italian catalogue Potere e Pathos. Bronzi del Mondo Ellenistico (2015). Giunti Editore, 216, 306.
“Comic Figurine of a Slave Seated on an Altar” and “Red-Figured Bell Krater with Phlyax Scene,” in The Art of Ancient Greek Theater (2010). The J. Paul Getty Museum, 119, 142.

Role

Adjunct Professor

Program

Bachelor Degree in Archaeology & Classics

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